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For a small show, then, it doesn’t think small. And does it work? Certainly, the works of art are generally compelling, and offer a collective testimony to the vast range and potency of materials used by artists across the centuries.
American Pest feels intensely familiar and specific, yet it reflects nothing from my highly partisan social media feeds. It feels like entering into an America that exists... but I’m seeing it as if under water or on some other plane of reality that I have never visited before.
Guerrilla Girls: Making Trouble is exactly the show we need right now.
Step into the kitchen at Chachi’s at Fadensonnen and it won’t feel like a rotisserie chicken restaurant as much as an ode to the craft of cooking.
Hal Boyd’s paintings operate on multiple levels and attract a diverse audience. They resonate with both high art enthusiasts and non-art world “civilians.” In this show, Boyd continues his exploration of the subconscious and philosophy, expressed through narrative imagery.
Side by Side, on view through July 12, explores intimate relationships between women and answers back to museums who have excluded LGBTQ+ subjects on their gallery walls.
These artists acknowledge that our current environmental crisis is serious and frightening, but overwhelmingly this exhibition presents ideas through monumental, visually stunning works, where the contrast between beauty and distress pushes the narrative forward.
Oh, fantasy free me! The campy queer sci-fi horror musical gets a timely Pride month revival.
While Baltimore’s growing Latino community accounts for 7.9% of its population, this project—the first of its kind—offers invaluable connections for Latinos to experience artwork directly represents them.
The 2025 Sondheim Exhibit of finalists emphasizes the evocative power of materials in five mini solo exhibits.
"Politics have always been intertwined with music. I don't feel there's more of it now; it depends on what's happening in the world at any given moment." -Tommy Rouse
Claire McCardell: The Designer Who Set Women Free is the first comprehensive look at the life and career of the woman who redefined women's clothing.
The performances, and videos in 'Paradise Portals,' are illustrations of human struggle, which despite the many forms our storytelling takes as a species, is the thing our work always comes back to.
In curating CoatTails, Cornelia Stokes demands that conversations about fashion must reflect the nuances and diversity of Black experiences.
Ludlam wrote the play in the 1980s, and the current production at Everyman Theatre proves the genre has resonated for not only decades but centuries—still just as luridly, in this case also hilariously, entertaining.