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For me, going to the archives is a mental health and wellness practice. Seeing queer memories feels really healing.
This October 10-12th, Subscape showcased experimental and genre-defying music from punk and noise to electronic and indie rock with a strong emphasis on local and regional talent.
"In 2025, we were proud to return for the second straight year as presenting sponsor of the Kinetic Sculpture Race Powered by PNC," says PNC Regional President for Greater Maryland Laura Gamble.
Presented with humor, pathos, bombast and melancholia, Wilson's characters lay bare their desires and disappointments, hopes and expectations.
As the first Black music director of a major orchestra and also the youngest, breaking barriers and leaning into a bold vision is at the core of Heyward's personal playbook.
The center opened in November, 2024. Nine months on, it’s become a beloved meeting place for sublocal, musically inclined artists.
The Viva Brasil party has become an icon of Brazilian culture in Baltimore, drawing audiences from throughout the DMV area. This year it returns to the Creative Alliance Theater, Saturday July 19th at 7:30pm.
Arnett recounts the life he and Ennis created together with candid detail in A Jazz Romance: Ethel Ennis, Baltimore & Me. The book also offers an intimate account of the midcentury music scene, Baltimore, and how closely the politics of the time overlapped with show business.
Oh, fantasy free me! The campy queer sci-fi horror musical gets a timely Pride month revival.
“We’re teaching from the inside out by really getting down deep into the issues that are keeping [students] from who they really want to be and translating that to the stage but also translating it to daily life."
"Politics have always been intertwined with music. I don't feel there's more of it now; it depends on what's happening in the world at any given moment." -Tommy Rouse
"The words ‘childlike wonder’ come up with all of them. That's what the artists want to invoke in attendees—inviting adults back to play, realizing the power in being in that space."
Ludlam wrote the play in the 1980s, and the current production at Everyman Theatre proves the genre has resonated for not only decades but centuries—still just as luridly, in this case also hilariously, entertaining.
It is late February 2025, the premier night of The Baby Laurence Legacy Project: Tracing Steps, Ali’s epic two-hour performance three years in the making, yet as the interdisciplinary artist begins to dance, I can feel the separative notions of time and place bend to the summoning of her feet.