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Baltimore itself is a hidden gem. Sure, it has flaws, but for anyone who dares, it offers up sparkling and surprising opportunities that wildly exceed expectations.
Camouflage renders beauty and material repurposing from the catastrophes of environmental degradation. The beauty here is not empty or slight, but deeply ethical, a slow product of intense labor and years of study and gestation.
This month, storied art publisher Phaidon ships a hefty tome dedicated to one of the city's most overlooked (but important) photographers, who immortalized a sleazy queer Baltimore that no longer exists.
What happens when two women, each born into royal circumstances with claims to the throne of England, grow up to become bitter rivals? We have the makings of an imperial tale of political and religious intrigue that is as riveting now as it must have been almost 500 years ago.
Visiting this single exhibit is an efficient way to appreciate the sweep of Pendleton's career and especially his claim on abstraction within the history of modern art that so strongly informs his practice.
On the heels of a successful solo show, we catch up with Zody Burke to talk about her upcoming show in New York, an experimental studio practice, and the pitfalls of getting lost in translation as an American artist in Europe.
Spending time with the pieces on display is humbling the way that great art so often is. Climate change, the relationship between man and nature, the vastness of geological time, and our relative insignificance are all conveyed through images and objects of great aesthetic beauty.
This exhibit at The Crow's Nest pushes you to do what you can do to protect the land and the communities that inhabit it.
It’s unusual to group an exhibition around an adjective, but Uncanny is less about a word than a psychological experience where something feels unnerving because it’s familiar but just slightly off.
The Baltimore Museum of Art marked its 110th anniversary by launching the Turn Again to the Earth initiative. The goal: to encourage conversation and action around climate change and the role of the museum.
Celebrating the Clayworks 45th Anniversary with Committed, Experimental, and Sometimes Even Dazzling Ceramics Exhibitions
Ushering in a partnership with Baltimore School for the Arts, Baltimore Center Stage's production of Akeelah and the Bee features BSA freshmen and sophomore students in the majority of its roles. Onstage through April 13th.
“The S.H.E. is not precious,” the band writes in their manifesto. “It’s a place for the music we wanted to make as kids in a Baltimore basement.”
Pollution can be dismayingly ubiquitous, but it can also be catalyzing, and full of expressive potential.
Inviting Light is transforming the Station North Arts District with five site-specific public art installations and a series of dynamic community events this year.