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As we head towards 2025, it's worth remembering that artists see the future in ways the rest of us don’t, so we have to keep our attention focused on them so we can find new sources of strength and solidarity.
Soft Focus, Blurry Paintings Satisfy, Especially at Price Points Reflective of Younger and Emerging Artists
Curated by Lisa D. Freiman, "Levester Williams: all matters aside" is an expansive survey of the Philadelphia-based artist’s works-to-date. The show closes Dec 14th at UMBC's Center for Art, Design, and Visual Culture (CADVC).
Simmons’ process is guided by a contemplative, meditative conversation with the materials as his paintings take shape.
Exhibition at the Walters through December 15 explores medieval Europeans' interest in monitoring bodies, curing ailments, and attaining good health.
A Former MICA Professor's Lifetime Love Affair with Drawing and Improvisation
In I’m Not Your Superwoman, Pinkston explores the Black-woman-superhero-complex, Black women's labor, and the complicated trope of “resilience,” a word often romanticized, exploited, and conflated.
Increased wages, more paid time off, and better benefits were obtained for unionized colleagues.
Founded by Leonardo Martinez, a recent DC to Baltimore transplant, the new artist incubator, studio building, and gallery devoted to climate justice is nestled just behind the central branch library on Mulberry Street.
Fragile Beauty at Hillwood, Preoccupied at the BMA, Connie Imboden and Mark Kelner at the Katzen, and The Subversive Thread at Academy Art Museum
Surprises in the art scene are uncommon enough that discovering a brand-new gallery tucked away on the third floor of Maryland Art Place during a recent Bromo Arts Walk was a delight—made even better by the strength of the group show on display.
While I have more than 50 years of experience in and around theaters, I was ill-prepared for an evening of the most experiential musical performances I have ever heard or seen.
Katherine Pon-Cooper’s "Circle in Circle: Compulsion" is a conceptually tight and handsomely executed show mounted in MICA’s Pinkard Gallery.
Armory Week in New York is overwhelming. We asked Chelsea insider Dylan Farley to share her "must-see" picks, including a group show of Baltimore artists curated by Derrick Adams.
With Babble, Babble, a provocative gathering of a decade’s worth of his work, Antoine Catala (Toulouse, France, b. 1975) powerfully orchestrates a dystopic display of language as a failed tool for human understanding and community.