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Reflex & Remix at the Walters emphasizes the importance of artistic connections across genres and time.
The eerie convergence of fantasy and reality in Too Little Too Late, which closes Sunday, June 16th, offers a darkly humorous framework within which to dissect American culture and its apparent decline.
This spring, check out Crossroads by the Enoch Pratt Library's artist-in-residence Hoesy Corona, False Relations at C. Grimaldis Gallery, and Goya Contemporary's Bearing Witness and NOW
Thaís Franco, Collections Management Director of KURA Arte, reports from São Paulo's largest art fair, offering local insight on the Brazilian artists making waves in Venice.
Surveying Scott’s oeuvre, one can see she isn’t preoccupied by death; Scott is preoccupied by the ways in which we choose to live—and treat each other in life.
Silva’s subject is nothing less than the global cataclysm we find ourselves in—from the lingering effects of colonization, to sustained war and genocide, environmental degradation, and rampant consumerism.
Get the Picture: Bianca Bosker’s Journey Among Inspired Artists and Obsessive Art Fiends Who Taught Her How to See (February 2024 Viking)
Forged Together: Collective Action at the Baltimore Museum of Industry Reflects on the History of the American Labor Movement While Also Looking Ahead into the New Millenium You hear, ...
At the national pavilions there’s an appropriately diverse set of strategies for addressing the legacies of colonialism and immigration from both traumatic or optimistic perspectives.
Stories conjured in plastic, clay and wood: 4 art exhibits mix meaning and material
A&I, which launched on Friday, April 19th at The Voxel in Baltimore, combines experimental dance, ambient soundscapes, minimalist stage design, and innovative lighting techniques with a high-tech concept.
The 60th Venice Biennale takes on themes of displacement, environmental injustice, racism, colonialism, but also manages to avoid easy cliches by treating artists from marginalized backgrounds as individuals with agency.
With The Hot Wing King, Baltimore Center Stage serves up a lively spread of rapid-fire one-liners, spicy moves, and camaraderie that serves as an entree to a discussion of contemporary Black manhood through April 28
At Arting Gallery, David Barnett instills seriousness with a profound dose of wackiness. Or another way of describing A Carnival of Characters is that this intense, inventive show explores the childlike in the adult, and the other way around.
Rebecca Marimutu’s "Portraits (Contact)," Rebecca Strzelec’s "365 Grams," and Rosa Leff and Kelly Walker’s "A Fine Pairing"—at Goucher College, Baltimore Jewelry Center, and Creative Alliance, respectively—made me reflect on my relationship to myself, womanhood, and the women who shaped me.