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BmoreArt’s Picks: September 9-15

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This Week: Opera Baltimore at Peabody Library, Cara Ober lecture for Art Seminar Group, Lynn Silverman + Liam Davis opening receptions at Goya, How to Become a Body opening at Red Giant, Bromo Art Walk + After Party, Solace & Sisterhood artist panel +opening reception at Driskell Center, opening reception for VILLAGER at Eubie Blake, Jackie Milad opening reception at Silber Gallery, Sweaty Eyeballs Animation Festival + After Party at MICA and Area 405, 2025 Baltimore Book Festival, 9th Annual Love Groove Festival, Jeffrey Kent + Monique Crabb closing receptions at Current Space, and a curator talk for Modernisms at The Jewish Musuem — PLUS apply to be a resident at MOCA Arlington and more featured opportunities!

BmoreArt’s Picks presents the best weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated on a daily basis.

To submit your calendar event, email us at events@bmoreart.com!

 

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We’ll send you our top stories of the week, selected event listings, and our favorite calls for entry—right to your inbox every Tuesday.

 

 

< Events >

 

We Just Had to GIF Stephen Colberts Get Lucky Dance Party
 

In the Stacks: Opera Baltimore
Tuesday, September 9 :: 6:30-7:30pm
@ George Peabody Library

In the Stacks welcomes Opera Baltimore back to the George Peabody Library for an evening of thrilling music inspired by Puccini’s Tosca, featuring arias and songs exploring themes of power and passion. For the first time, for one night only, rare letters by Puccini to Baltimore art patron and collector Alice Warder Garrett will be on display.

Come enjoy an evening of music and history in one of the most beautiful libraries in the world!

This performance is co-sponsored by the Winston Tabb Special Collections Research Center.

 

 

Collecting the Art of Your Place and Time in Baltimore: Strong, Bright, Useful & True
Tuesday, September 9 :: 1:30-3pm
@ Woman’s Club of Roland Park

HYBRID IN-PERSON AND ONLINE PROGRAM
Collecting the Art of Your Place and Time in Baltimore: Strong, Bright, Useful & True
Cara Ober, Artist, Arts Writer, Curator, and the Executive Director and Publisher at BmoreArt
Reception 1:00 – 1:30 pm

Showcasing a broad spectrum of media—including painting, sculpture, time-based media, and photography — Strong, Bright, Useful & True includes works by globally recognized and emergent artists such as Derrick Adams, Jerrell Gibbs, and Joyce J. Scott, as well as Nakeya Brown, Se Jong Cho, Brandon Donahue-Shipp, Oletha DeVane, Erin Fostel, Phaan Howng, Kei Ito, Linling Lu, Edgar Reyes, Soledad Salamé, Bria Sterling-Wilson, and René Treviño. The exhibition’s title is inspired by the inaugural address of the first Johns Hopkins University president Daniel Gilman, who in 1876 proclaimed Hopkins’ simple aim “… to make scholars strong, bright, useful, and true.”

ASG welcomes Ober to discuss the exhibition at JHU’s Frary Gallery, which features artists recently acquired by Johns Hopkins through a partnership with Cara Ober and BmoreArt’s Gallery Director Ines Sanchez de Lozada, who have designed and implemented a collecting initiative for a committee of JHU students, faculty, and staff. Over the course of several months, Ober and her team presented Baltimore-based artists on the cusp of global professional acclaim to the group, who select artists for studio visits, and ultimately for acquisition. This program is a deep investment on the part of JHU into Baltimore’s creative communities, unique in the region and reflective of the institutions desire to support and collect “the art of their place and time.”

$15 fee for guests and subscribers (no fee for members)

 

 

Lynn Silverman: In A Matter of Time | Reception
Wednesday, September 10 :: 6-8pm
@ Goya Contemporary

Goya Contemporary Gallery is pleased to present In A Matter of Time, the third solo exhibition by internationally acclaimed photographer Lynn Silverman. This compelling body of work invites viewers to contemplate the intersection of memory, time, and photographic materiality through Silverman’s evocative engagement with vintage panoramic photographs.

Silverman’s recent work draws upon scroll-like photographs discovered while sorting through decades of materials within various archives. These images—group portraits of early 20th-century schoolchildren, summer campers, banquet attendees, and military recruits—were originally captured with large-format panoramic cameras. Recovered from obsolescence, they serve both as subject and object in Silverman’s conceptual, transformative investigations.

“Given the relationship a photograph inevitably has with the past, my desire is to focus on the act of remembering. The contortions of the scrolls—the twisting, curling, and blurring during exposure—mirror the fragility of memory,” explains Silverman. “My manipulation of the scrolls attempts to evoke how the gap between the photograph and memory continues to widen as the time when the picture was taken recedes further into the past. This is also true for the near-obsolete technology used to make these panoramas.”

In the studio, Silverman unfurls, rotates, and re-illuminates the photographic scrolls, sometimes exposing both recto and verso, thereby revealing handwritten inscriptions or signatures otherwise hidden from view. In select works, she introduces motion during exposure, allowing gesture and time to permeate the photographic process.

“These strategies simultaneously collapse and expand sequential registers, blurring the line between image, object, and remembrance” notes Amy Raehse, Director and Curator of Goya Contemporary. “Through Silverman’s deliberate and nuanced handling, the curled edges, folds, and shadows of the photographic scrolls assume sculptural and temporal qualities, which she then re-interprets through the lens of her own camera and darkroom-based studio photography” she continued. “The resulting images are at once meditative and disorienting—echoing the ephemeral nature of both memory and analog photography.”

In A Matter of Time continues Lynn Silverman’s decades-long exploration of perception, impermanence, and the phenomenology of seeing, reinforcing her position as a significant voice in contemporary photographic practice.

Silverman’s work has been exhibited internationally and is included in major museum and private collections. In 2025, Silverman was awarded a New York Public Library Picture Collection Fellowship through the Wallach Division of Art, Prints, and Photographs. This prestigious fellowship supports artists and scholars in the research, development, and/or execution of new creative or scholarly work based on the Collection’s holdings.

In conjunction with Silverman’s exhibition, the artist and Goya Contemporary Gallery have partnered with Liz Faust at The Silber Art Gallery, Goucher College, to present a special screening of Silverman’s collaborative single-channel video, Between Death and. A separate press release will provide additional details about this unique cooperative screening.

 

 

Living With It: a solo exhibition by Liam Davis | Reception
Wednesday, September 10 :: 6-8pm
@ Goya Contemporary

Goya Contemporary Gallery is pleased to present Living With It, the gallery’s first solo exhibition by Liam Davis, featuring a new body of photographic-based conceptual works that explore perception and the poetic dissonance between personal space, aesthetic form, nature, memory, scale, and the arc of time—and how that arc seems to bend and evade succinct, definable comprehension.

In Living With It, Davis examines how objects—particularly those found in the landscape—act as intimate companions in the face of time’s vast and disorienting passage. Drawing visual and conceptual parallels between domestic space, time, and geological matter, the exhibition poses a central question: how do we make sense of things too large to grasp? And by extension, how can something as immense as a landscape, a nation, or even time itself be encountered meaningfully from within the four walls of a single room?

Referencing 19th- and 20th-century American landscape photography, Davis turns that tradition on its head. “Where early photographers compressed the sublime expanse of the American West onto 8×10-inch sheets of film—rendering the land legible, safe, and ownable—these new photographs reverse that gesture” says Davis. “In them, rocks from disparate locations—a stone found in Baltimore, a fragment of iron ore purchased online from the West—are placed atop scans of large-format film. Rather than reducing the vast to the knowable, these images expand the familiar, rendering the small into something monumental.” The photographs act as counter-landscapes—”portals that challenge assumptions of ownership, scale, and the idea that human perception is the proper measure of understanding the world.”

The exhibition is designed as one work, comprised of seven elements in addition to the added architectural details of the room itself. In it, “each stone becomes a metonym for the unseen: a fragment that carries the weight of unknown distances, histories, and extractions,” says curator Amy Raehse. “By shifting context and scale, Davis encourages viewers to reckon not only with what is pictured, but with what lies beyond the frame”—the landscapes and forces we live with, yet often fail to comprehend. In the space of the gallery, these elements tenderly bend toward one another in unexpected and quietly uncanny ways.

Living With It invites us to confront our relationship to space and matter, and ultimately, to our own limitations. “It asks us to dwell within complexity, rather than reduce it,” says Raehse—to live with it, and to open the doors of perception.

 

 

How to Become a Body | Opening
Thursday, September 11 :: 5-9pm
@ Red Giant

How to Become a Body opens with a public reception on September 11 from 5-9pm. The exhibition is on view through October 25, 2025 at Red Giant located at 403 N. Paca Street in Baltimore, MD, 21211.  How to Become a Body features works by three Baltimore-affiliated artists; Sasha Fishman, Danni O’Brien, and Aura Wang.

To view the exhibition after the opening reception, please contact the gallery to make an appointment: DM us on instagram @redgiantgallery, email us at redgiantgallery@gmail.com, or call (410) 989-1430.

 

 

Bromo Art Walk + After Party
Thursday, September 11 :: 5-9pm / After Pary 9-11p
@ Bromo Arts District + Current Space

This multi-block, multi-sensory night on the town showcases the Bromo Arts District in all its glory: open galleries, live performances, imaginative projects, and in-person engagement, all taking place on Thursday, September 11, from 5-9pm.

View information below about the participating artists, organizations, and retailers. Event maps will be available at all participating locations during the event. Check back for the event Google Map to help navigate the district and to view all venues, retailers, and public art locations. And for fast travel between venues, hop on a Lime scooter or bike that will be available throughout the district.

This event is free, but registration is recommended in order to get event updates and access to special promotions. Scroll to the bottom of the Eventbrite page to view the event FAQs for more information about the Bromo Art Walk.

Love the Bromo Art Walk? Support the Bromo Arts District by making a donation! Your contribution helps support our creative community and enables us to continue our free programming. Click here if you love Bromo’s creative community!

AFTER PARTY!

Wrap up your night at the Bromo Art Walk After Party from 9–11pm at Current Space’s Garden Bar! More info coming soon!

Please show your free Art Walk Eventbrite registration (digitally or printed) at the door. Enter through 421 N. Tyson Street, located between Mulberry and Franklin Streets. Once the courtyard capacity is reached, new attendees will only be let in as people leave. Thank you for understanding.

 

 

Image Credit: Evita Tezeno, True Sistahs, 2024 (detail). Acrylic, mixed-media collage, and buttons on canvas, 48 x 48 in. Courtesy of the artist and Luis De Jesus Los Angeles.

Solace & Sisterhood | Artist Panel + Opening Reception
Thursday, September 11 :: Artist Panel 1-2:15pm / Opening Reception 3-6pm
@ David C. Driskell Center

Join us for the artists’ panel for Solace & Sisterhood on September 11, 2025.

Join us for an artists’ panel at 1 p.m. in the Pyon Su Room at the Stamp Student Union, where Lavett Ballard, Amber Robles-Gordon, and Evita Tezeno will be in conversation with Dr. Michelle Rowley, Associate Professor, The Harriet Tubman Department of Women, Gender, and Sexuality Studies. Afterwards, head over to The Driskell Center for the opening reception, starting at 3 p.m.

About the Exhibition
Solace & Sisterhood brings the powerful dynamic of sisterhood to the forefront by showcasing the work of three contemporary Black female artists: Lavett Ballard, Amber Robles-Gordon, and Evita Tezeno. Guest curated by Dr. Lauren Davidson, this show explores the depth of Black sisterhood, highlighting the strength, resilience, and bond that unite these women. Davidson notes, “Sisterhood is more than a familial bond—it’s a vital, necessary force for survival and affirmation in the lives of Black women. The work of these three artists goes beyond mere friendship and becomes a manifestation of this sisterhood: a way to reframe narratives, challenge societal expectations, and assert our rightful place in the world.”

The artists’ panel is supported in part by the Maryland State Arts Council (msac.org), the Harriet Tubman Department of Women, Gender, and Sexuality Studies, the Department of American Studies, and the University of Maryland’s Arts for All initiative.

Please contact events-driskellcenter@umd.edu at least ten days prior to the event to request disability accommodations. In all situations, a good faith effort will be made to provide accommodations.

 

 

DEVOTION, DREAMS AND DESTINY: solo exhibiton by VILLAGER | Opening Reception
Friday, September 12 :: 6-8pm
@ Eubie Blake Cultural Center

Eubie Blake Cultural Center is pleased to present Devotion, Dreams, and Destiny, a solo exhibition of works by the Nigerian–born Transdisciplinary Artist, VILLAGER (b. A. Adekunle Adaranijo) on view from September 11 to October 11, 2025. VILLAGER’s work explores the intersections of post-colonial identity, material intelligence, and ancestral/indigenous knowledge production through a spiritual, anthropological, and visual-material-based inquiry that uncovers and interprets the sublime, intangible forces shaping the evolution of culture, identity, and consciousness.

Inspired by the mythological and time-bending metaphysical landscapes of The Famished Road by Ben Okri, the works in Devotion, Dreams, and Destiny span across painting, site-specific installation, experimental film, and collage, tracing a journey through a liminal terrain where the real and the supernatural, living and the dead, seen and the unseen, past and present, traditional and contemporary coalesce and unfold into what is forgotten, remembered, and what is yet to be known. The exhibition explores object and material memory, mythology, and speculative storytelling, inviting meditation and reflection on what it means to be in service of something greater than the self—the land, the ancestors, and the collective. Together, these works elicit the revelations that await us at the crossroads where we dream with devotion–glimpsing, listening, and holding the whisperings of our destiny.

Devotion, Dreams, and Destiny is a reckoning with the memories of the past we have been asked to carry, and those from the future currently being forged in the present. This exhibition invites the viewers to open their senses and search for what is not directly visible— to reconsider what constitutes the essence of our humble and magical relationship with reality and the supernatural. It asks: What necessary reverence and remembrance is required to dream up new worlds? And how can the sacred act of devotion sustain us in a world where destiny is never fixed but continually made through the act of dreaming?

The exhibition will be on view from September 11 to October 11, 2025, with a preview during the Bromo Art Walk. Join us for the Public Opening reception (rsvp optional) on September 12, 2025, from 6 PM–8 PM at  847 N Howard St, Baltimore, MD 21201. The Artist talk will be held on September 2, 2025, from 1 PM – 3 PM, followed by a closing Reception and performance on October 9, 2025, from  6 PM – 8 PM. Gallery hours: Wednesday–Friday, 11 AM to 6 PM, and Saturday, 12 PM to 3 PM.

For additional information on the exhibition, please contact the gallery at (410) 225-3130 or email info@vllager.com for all acquisition inquiries

 

 

No Soy Ana Agnabi | Opening Reception
Friday, September 12 :: 4-8pm
@ Silber Gallery, Goucher College

Goucher College proudly presents No Soy Ana Agnabi, a solo exhibition by Baltimore-based artist Jackie Milad, featuring new and recent works developed through the support of the Creative Capital Award and the Rubys Artist Grant. This exhibition centers on Milad’s reinterpretation of ancient funerary figures known as shabtis, examining their global dispersal, symbolic resonance, and the ways in which cultural heritage is fragmented and reframed through contemporary practice.

In No Soy Ana Agnabi, Milad expands her signature visual language—layered wall collages, sculptural interventions, and archival imagery—into a series of immersive installations that reclaim the shabti as both object and witness. Drawing from ancient Egyptian funerary practices and working in dialogue with Goucher College’s own collection of shabtis, Milad juxtaposes historical artifacts with hand-crafted surrogates made from bronze, epoxy resin, ceramic, and wood. These figures become agents in a larger narrative about diaspora, colonial extraction, and the emotional toll of cultural displacement.

The exhibition’s centerpiece is a series of altars densely populated with shabti forms, their collective presence evoking both an imagined afterlife and the haunting reality of scattered histories. Monumental collages—some extending up to 11 feet—surround the installation, incorporating fragments of language, textiles, and drawing that evoke a palimpsest of place and identity.

This project marks a major evolution in Milad’s career, reflecting a deepening of her engagement with themes of cultural hybridity, stewardship, and the politics of collecting. Accompanying the exhibition is a bilingual publication (English and Arabic) featuring new essays by leading scholars in Egyptology and cultural history.

No Soy Ana Agnabi  is not merely a meditation on the past—it is a vivid call to reimagine how we carry, question, and reclaim cultural memory in the present.

 

 

Sweaty Eyeballs Animation Festival + After Party
Friday, September 12 :: 6-9:30pm // After Party 9-11pm
@ MICA Brown Center + Area 405

2025 Sweaty Eyeballs Animation Festival
Friday, September 12
6:00-9:30 PM

MICA Brown Center – Falvey Hall Theater
1301 W. Mount Royal Ave. Baltimore, MD
For more information visit sweatyeyeballs.com

The Sweaty Eyeballs Animation Festival will be returning in Fall 2025 and will include an International Shorts program and Baltimore Showcase program screening at Falvey Hall Theatre at the Maryland Institute College of Art in Baltimore. There will also be a corresponding group art exhibition at Area 405 Gallery. Stay tuned to this website for more details coming soon and join the SEAF mailing list for up to date news.

 

 

The 2025 Baltimore Book Festival
Saturday, September 13 – Sunday, September 14

The 26th Baltimore Book Festival will kick off on September 12, 2025 for its third year in the Waverly neighborhood. With origins in the Mount Vernon neighborhood, the festival was founded in 1996 by Baltimore Office of Promotions & the Arts, inspired in part by Mayor Schmoke’s “The City That Reads” initiative.

The festival’s popularity soared in the 2000s, drawing larger and larger crowds. In 2014, the festival was moved to West Shore Park and Rash Field, drawing up to 100,000 visitors. However, from 2020 to 2022 the event went on hiatus. In response merchants and other community leaders in Waverly organized the three-day Waverly Book Festival in April 2023.

With a new leader at the helm, BOPA took the lead on the official return of the Baltimore Book Festival. Working with local businesses such as Red Emma’s, Normal’s Books and Records, and the Peabody Heights Brewery, BOPA, CityLit and Waverly Main Street produced the 25th anniversary festival in the same footprint as the previous year’s Waverly Book Festival.

The Baltimore Book Festival has evolved from a downtown literary celebration into a dynamic, community-powered cultural cornerstone. Today, it honors its roots while showcasing Baltimore’s rich literary heritage and embracing emerging voices—making it a fixture truly reflective of the city’s diverse creative spirit.

 

 

9th Annual Love Groove Festival
Saturday, September 13 :: 12-8pm

August 21, 2025- Whether you like live music, local art, dancing, yoga, shopping, family activities or want to participate in a community run or bike ride, there is something for everyone at the 9th Annual Love Groove Festival, taking place on Saturday, September 13 from 12-8 p.m. at the Robert C. Marshall Park, 1211 Pennsylvania Ave., Baltimore, MD 21217. Founded by young entrepreneur, Emmy-award winning film composer and visionary John Tyler, this FREE, family-friendly festival features live music, a pop-up art gallery, live painting, an artists & makers market, over 60 vendor and nonprofit tents, local food and drinks, family-friendly activities and a petting zoo.  This year, they have added a 1.5-mile community run, a bike ride and party as well as a group yoga class that will kick off the main event. All events are free, but registration is encouraged. For more information, visit https://lovegroovefestival.com.

The mission of Love Groove Festival is to empower underprivileged communities and emerging artists through performing and visual arts. They uplift local businesses, fuel economic growth, and showcase Baltimore’s talent and resilience. Their mission is to redefine representation and change the narrative of Baltimore city through accessible, high-quality arts experiences.

 

 

Bio-graphic Ruminations // I Close My Eyes to See | Closing Reception + Artist Talk
Sunday, September 14 :: 3-6pm
@ Current Space

Main Gallery: Bio-graphic Ruminations, a solo exhibition of works by Jeffrey Kent
Project Space: I Close My Eyes to See, a solo exhibition of works by Monique Crabb

Bio-graphic Ruminations

“There is a hesitation to say Auto (bio-graphic), since Jeffrey’s work is at once quite personal, specific, yet also deeply intertwined and reflective of life and history before us, shared; such that I too, before a basketball hoop, or a bowl of cotton, balanced on a pile of books, covered with tar, am drawn into the mix of black and white, into the play of losing oneself in a mirror — its strange and haunting clarity, astonishment, and joy; yes, joy, which carries over and through.”
– Andrew Shenker

I Close My Eyes to See
In this series, I reflect on the imbalance created by societal pressure to attain one’s dreams, working within the constraints of a grayscale system—transitioning from white to black, with the murky in-between grey. Where does one’s dream truly lie? Society encourages and applauds dreaming, while simultaneously squashing dreams by imposing practicality. A person’s dream can either be a life goal or an unattainable idea—unreal until it becomes real. There’s a fine line between hope and hopelessness, and it’s one that can only be understood through the lens of the individual. It seems as though the world is willing to celebrate dreams only once they’ve been realized; otherwise, they’re seen as impossible.

Statements like, “IT WAS JUST A DREAM” or “DREAM A LITTLE DREAM,’ play with this tension between dismissal and hope. It represents both concealment and protection. Traditionally, we sweep things under the rug to hide them, to bury what we do not want to see or confront. But in doing so, we also shield them from the harshness of reality. What we hide beneath the rug are the dreams we fear cannot be realized, the goals we’ve been told are mythic or unattainable.

Rugs, by nature, are objects meant to be walked on, to be covered by the weight of daily life. But when they are placed on the wall, they disrupt this function—they no longer serve to hide, but to reveal. They transform from mundane objects into something to be seen and reflected upon. They become a statement about the things we have swept away—those dreams and desires that we are often too afraid to fully express, or too unsure to pursue.

They challenge us to look at these suppressed parts of ourselves and ask: What if these dreams, even if they are unrealized, still hold meaning? What if they deserve to be seen, acknowledged, and celebrated, not for their completion, but for their potential to shape our lives, our identities, and our future?

 

 

Modernisms | Curator Conversation
Sunday, September 14 :: 5-7pm
@ The Jewish Museum of Maryland

Join the Jewish Museum of Maryland for an evening exploring Modernisms, curated by J. Susan Isaacs and presenting the work of artists responding to modernist ideas with a broad range of approaches. Featured artists include Florence H. Austrian, Jacob Glushakow, Gladys Goldstein, Mervin Jules, Reuben Kramer, Perna Krick, Herman Maril, Karl Metzler, Selma L. Oppenheimer, Amalie Rothschild, Aaron Sopher, Edward Rosenfeld, and Peter Scholleck, largely from JMM’s collection. Their views were shaped by the new prevailing theories that emerged in Europe: Post Impressionism, Fauvism, German Expressionism, Cubism, Art Deco, Surrealism, and Bauhaus. Artist Jacob Glushakow described many of the practitioners within this group as “a school of Baltimore Jewish artists” that flourished for thirty years.

Attendees will have the opportunity to explore the exhibition in JMM’s Cohen-Weinberg Gallery, hear a conversation with JMM Exhibits Manager Katie Andril, exhibition curator J. Susan Isaacs, and educator George Ciscle, as well as visit the Museum’s recently opened production studio to share personal reflections in connection to the exhibition.

Katie Andril is Exhibits Manager at the Jewish Museum of Maryland, responsible for exhibition logistics and project management. Previously, she has worked at U.S. Art Company, at Framebridge’s Fine Art Department; and earlier held multiple roles including Assistant Director & Solo Artist Coordinator at The Art League, a community arts organization in Alexandria, Virginia.

J. Susan Isaacs is retired from teaching art history and museum studies at Towson University, where she curated many exhibitions for the Department of Art + Design, Art History, and Art Education Galleries. She has curated for numerous institutions across the United States and abroad. She writes and publishes on modern and contemporary art.

George Ciscle has mounted groundbreaking exhibitions and taught courses in the fine arts and humanities for more than 50 years. After two decades of work as an educator and gallerist focused on promoting the careers of emerging artists, Ciscle founded The Contemporary, an “un-museum,” which challenged existing conventions for exhibiting art.

 

 

< Calls for Entry >

Serial Drama: Partying Like It's 1995

 

Mountain Maryland Film Festival | Call for Submissions
deadline September 15

Located in the heart of the Appalachian Mountains of Western Maryland, “Mountain Maryland,” as it is known, has become a hot spot for the arts, bringing an eclectic mix of visual artists, musicians, performers and filmmakers to our community. The rural community boasts world-class recreation, nature, and routinely wins awards for many of its amenities, attractions and events.

Our goal in establishing the Mountain Maryland Film Festival is to increase awareness of filmmaking in our community, introduce Mountain Maryland to talented makers who are looking for great places to explore, and to tell stories through the power of film, ones that provoke thought, express joy, experience loss, and challenge us.

 

 

The Luminary Residency Program
deadline September 15

The Luminary Residency Program is a nationally recognized, research-driven initiative supporting emerging and mid-career artists, curators, and critics in developing new work. It offers an intensive two-week residency designed to foster focused inquiry and meaningful engagement with the cultural landscape of St. Louis.

The program emphasizes a two-fold approach to research: providing artists dedicated time to pursue new lines of inquiry within their practice, while encouraging deep immersion in St. Louis’s vibrant arts community through exploration, dialogue, and relationship-building. Residents are supported with spacious housing, financial resources, and structured opportunities for public engagement, creating a collaborative environment where creative development and national artistic discourse intersect.

Offered in three seasonal sessions—winter/spring, summer, and fall—each cohort centers on critical contemporary themes such as artificial intelligence, climate futures, and free speech. Residents engage with local artists, organizations, and institutions, expanding their work beyond the studio and into the public sphere.

This residency program is integral to The Luminary’s commitment to positioning St. Louis as a hub for critical and experimental work. Many past residents maintain ongoing ties to the city through exhibitions, public projects, and institutional collaborations, contributing to a growing national dialogue rooted in this dynamic region.

 

 

Monson Arts Residency
deadline September 15

Monson Arts’ residency program supports emerging and established artists and writers by providing them time and space to devote to their creative practices. During each of our 2-week and 4-week programs throughout the year, a cohort of 5 artists and 5 writers are invited to immerse themselves in small town life at the edge of Maine’s North Woods and focus intensely on their work within a creative and inspiring environment. They receive a private studio, private bedroom in shared housing, all meals, and $500 stipend ($250 for 2-week programs). The Abbott Watts Residency for Photography offers access to the photography studio and darkroom of Todd Watts in nearby Blanchard, adjacent to the former home of Berenice Abbott. Click here to read more about this unique opportunity specifically for photographers.

Applications for a residency at Monson Arts are open to anyone at any stage of their career, working in visual arts, writing, and related fields (i.e. audio, video, photography, woodworking, movement, screen and playwrights). Open calls for residency applications currently take place 3 times throughout the year with deadlines on January 15, May 15, and September 15. Each application period corresponds to specific residency offerings 3-6 months out.

Residents’ studios are located in newly renovated Main Street buildings that have been designed specifically for visual artists and writers. All of our studio spaces are outfitted to be as flexible as possible so that we can accommodate a variety of creative practices. Our visual arts studios are spacious and light-filled with large work tables and sinks. Shelving and portable storage carts are available as needed. Access is available to woodshop and metal shop facilities in nearby buildings for any fabrication needs. Our writing studios are comfortably furnished with work tables, office chairs, bookshelves, and reading chairs. For those working in time and sound based media: apply to the Writing category if quiet contemplation would be best for your project or the Visual Arts category if you need room and the opportunity to make and play sounds out loud.

Residents live in newly renovated historic homes throughout town, within walking distance to studios and everything that downtown Monson has to offer. These are mostly 3 bedroom structures that are fully furnished and comfortable all four seasons of the year. Houses all have shared kitchens, bathrooms, and common areas with laundry machines, telephone, and other amenities as well. Wifi is available in all of our buildings through high speed fiberoptic service.

 

 

The Guggenheim Fellowship
deadline September 16

The Guggenheim Fellowship supports individuals who have achieved notable success in their careers across the creative arts, humanities, sciences, and social sciences. It is designed for mid-career professionals whose work is well-established. Potential Fellows have already made significant contributions to their field and are eager for time and resources that will allow them to further their meaningful work.

While many applicants are affiliated with an academic institution or university, independent scholars, writers, and artists are eligible to apply.

A Guggenheim Fellowship term may last from six months to one year, although the proposed project does not need to be completed within that period

We do not require academics to be on sabbatical leave or free from administrative or teaching duties during the Fellowship period, but it’s fine if they are. Also, we do not commit to replacing full salaries or guaranteeing specific costs. The award funds can generally be used for any purpose related to the pursuit of the Fellow’s project – living expenses, materials, travel, equipment, etc.

 

 

Call for Artists for CROSSWAYS, a public art project with Vital Matters
deadline September 22

Thanks to a Public Art Across Maryland Planning Grant from Maryland State Arts Council, Vital Matters has begun to work on the first of four sites that will be part of a citywide, multi-year project called Crossways. The project is conceived as an arts-based way of enhancing Baltimore residents’ connections with their waterways and one another across 4 out of 5 of the city’s Watersheds. We begin in West Baltimore, with the Gwynns Falls neighborhood, nestled between Maiden’s Choice Run and the Gwynns Falls, which runs through Lower Gwynns Falls park to the east. The last phase of planning for this phase includes the hiring of a visual artist, who will work together with our Artist Facilitator Team (Valeska Populoh, Sanahara Ama Chandra, Michele Minnick, Maura Dwyer, and Rejjia Camphor) and the Gwynns Falls Community to conceive, design and build a temporary (1-2 years) installation that will express and support the community’s sense of identity, history, and/or future in relation to their place along the Gwynns Falls watershed.

 

 

Museum of Contemporary Art Arlington Residency Program
deadline September 22

The Museum of Contemporary Art Arlington’s mission is to enrich community life by connecting the public with contemporary art and artists through exhibitions, education and public programs, and artist residences.

The museum’s Artist in Residence Program supports emerging and mid-career professional contemporary artists by offering a unique platform for exposure and connection, affordable studio space, and time to develop their practices. Through short- and long-term studio residencies, the program fosters lasting relationships among artists, providing a cohort experience, support and opportunities to test new ideas, exhibit work, and engage in dialogue with curators, peers and the public.

About the Residency Program

 MoCA Arlington was founded over 50 years ago by contemporary artists. The Artist in Residence program is one of the four foundational pillars of MoCA’s connection to contemporary artists and the public that also includes exhibitions, education and public programs.

Resident artists participate in a cohort of 10-12 artists and have opportunities to engage with peers during studio visits, group critiques, and monthly meetings. Participants also receive professional development support from the Curator & Residency Program Manager at the museum and opportunities to present in group and solo exhibitions.

Resident artists are expected to participate in public open studios about three to four times per year during MoCA Arlington’s exhibition openings and other special events. Resident artists also support MoCA’s mission by participating in the annual gala and selecting mutually agreed upon outreach services annually which may include participating in public programs, teaching art classes or workshops, and participating in special projects with museum partners some of which may be compensated.

Artists are expected to use the studio at minimum 40 hours per month throughout the duration of the residency.

 

 

Visiting Senior Fellowships
deadline September 22
@ National Gallery of Art

Visiting senior fellowships provide scholars with two-month appointments to conduct full-time research in residence at the Center. Fellows receive an office in the National Gallery’s East Building as well as housing, subject to availability. They have access to the notable resources of the National Gallery, including its library and art collection, as well as those of greater Washington. Fellows participate in lectures, colloquia, and discussions with the Center’s vibrant community of scholars.

The Center will award up to two Leonard A. Lauder Visiting Senior Fellowships and up to five Paul Mellon and Beinecke Visiting Senior Fellowships for the current award period.

 

 

2025 Holiday Store Vendor Application
deadline September 30
posted by Made in Baltimore

 

 

Vermont Studio Center Residency
deadline September 30

Vermont Studio Center is accepting applications from visual artists and writers for 2-, 3- and 4-week residencies. Nestled in the Green Mountain of Vermont, VSC provides private lodging and studios, fresh meals, and a vibrant Visiting Artist & Writer program. All disciplines are welcome. Through the generosity of individual donors and foundation partners, VSC is able to ensure a full or partial fellowship for every attendee.

 

 

10th Anniversary Bernard/Ebb Songwriting Awards
deadline October 1
posted by Strathmore

The Bernard/Ebb Songwriting Awards honors the best songwriters in Maryland, Virginia, and Washington, DC.

The contest includes a live performance at Strathmore and will award one songwriter a grand prize of $10,000 plus $1,500 towards studio recording time at a DMV studio chosen by the winner.

One young songwriter under 17 will also be honored with an award of $2,500. All finalists in both categories will receive smaller cash prizes and will be featured on Strathmore’s social media platforms.

Now in its tenth year, the competition is presented by Strathmore, and the final performance will take place at the Music Center at Strathmore on April 24, 2026.

 

 

header image: Monique Crabb, I Close My Eyes to See. Acrylic tufted rugs

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