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BmoreArt’s Picks: September 30 – October 6

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New/Next Film Festival Returns to The Charles Theater

This Week: Free Fall Baltimore + Open Studio Weekend, Jerrell Gibbs artist talk at Stamp Gallery, Doors Open Baltimore kickoff at The Peale, Cutting Teeth opening reception at Alchemy of Art, In the Wake of: Resilience and Revolution panel discussion at Gormely Gallery, New/Next Film Festival, Baltimore International Black Film Festival, First Friday openings at IA&A Hilyer, Interior Architectures Back East opening receptions at Current, Culturally Curated at The Lewis, Nights on the Fringe at The Peale, Baltimore Jewelry Center’s annual symposium, and a curator’s tour of Jackie Milad’s Silber Gallery show — PLUS apply for The Gutierrez Memorial Fund Legacy Grant and more featured opportunities!

BmoreArt’s Picks presents the best weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated on a daily basis.

To submit your calendar event, email us at events@bmoreart.com!

 

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We’ll send you our top stories of the week, selected event listings, and our favorite calls for entry—right to your inbox every Tuesday.

 

 

< Events >

Fall GIFs - The Best GIF Collections Are On GIFSEC
 

Free Fall Baltimore + Open Studio Tour Weekend
All Month + Saturday, October 4 – Sunday, October 5

Baltimore is a city of intense cultural history. It’s also home to a thriving scene of diverse creators, performers, venues, and advocates. We celebrate National Arts and Humanities Month by illuminating Charm City’s many contributions to the humanities.
Every October, Free Fall Baltimore immerses the city in arts and culture with an entire month of free events, ranging from studio tours and concerts to dance performances and workshops.

Jerrell Gibbs, "Untitled," 2024, oil on canvas, 50 1/8 x 36 1/4 inches

Lights Off at 8 pm | Artist Talk: Jerrell Gibbs
Wednesday, October 1 :: 1pm
@ UMD Stamp Gallery

The Stamp Gallery is pleased to present Lights Off at 8 pm, a group exhibition featuring artists who approach memory as inherently fluid and ever-shifting, capable of evoking different emotions—love, grief, joy, anxiety, fear—at once and across time. Rather than seeking to preserve the past, these artists embrace the distortion, abstraction, and reinvention of memories, inviting the audience to consider alternative ways of remembering.

PROGRAMMING

Artist Talk: Jerrell Gibbs – Wednesday, October 1, 12 pm. Prince George’s Room in Stamp.

 

 

Doors Open Kickoff Event : Remembering our Past, Reimagining our Future
Thursday, October 2 :: 5:30-7pm
@ The Peale

Remembering our Past, Reimagining our Future: Doors Open Baltimore is your opportunity to explore some of the city’s most unique spaces! Join us for the Kickoff Event, taking place on Thursday, October 2 from 5:30 p.m.- 7 p.m. at The Peale. This casual evening of storytelling allows locals to enjoy light refreshments and wine as guest speakers share their “love letters” to special buildings and places in Baltimore. This evening kicks off a month-long event of free open houses at 40+ buildings that tell the stories of Baltimore’s past, support businesses that strengthen our communities, and spark dialogue about the city’s future. Additionally, guided tours will take place throughout the month. Check the website for more details: doorsopenbaltimore.org.

 

 

Cutting Teeth | Opening Reception
Thursday, October 2 :: 6-9pm
@ Alchemy of Art

Cutting Teeth is an exhibition of 4 local artists who have done more than made their presence know in different art communities and different ways and now we bring them all together. Tiffany Lange, Adam Stab, Julia Gould and Beth-Anne Wilson all brilliant in their own right come together to help us celebrate our 12 year anniversary.

Tiffany Lange, founder of The MadeUpStudio, is a medical illustrator, creative director, and puppet designer. Her work blends the whimsical with the weird, inviting viewers into worlds of quirky companions full of idiosyncrasies. She favors humor and lightness over excessively defined or profound themes.
@tifflange https://www.madeupstudio.com/

Julia Gould (b. 1999) is an American artist living and working in Baltimore Maryland. Julia holds a Bachelor of Fine Art degree from the Maryland Institute College of Art, where she majored in Painting, and minored in Printmaking (2022).

My work is focused on articulating moments that offer perspective on the way I, and perhaps we, move through the world. I create compositions that contain an irony or a contradiction between fantasy and reality regarding the environment and interpersonal relationships. These moments reveal my character, often by way of examining desires. Through metaphor, color, composition, and light, the intimation of my work reveals itself.

juliagould.art@gmail.com / Gould-Art.com / Instagram @julia_gould.art

Beth-Ann Wilson (American, b. Copiague, NY 1983, lives and works in Baltimore, MD) is an award-winning artist, gallery owner, creative entrepreneur, educator, and community organizer. Her art focuses on expressive painted portraits suffused with colorful abstractions as well as energetic landscapes and cityscapes painted

both in the studio and en plein air. Scenes depicted are inspired by the places she has traveled to and explored both near and far.

In Wilson’s current studio practice,she’s drawn to the rawness and grit of the urban landscape and the buildings that surround us — crumbling facades, rusted metal, weathered signs, and the graffiti-scrawled surfaces that tell quiet, urgent stories. She explore landscapes and architecture not simply as physical spaces, but as emotional and psychological terrains. These scenes of urban decay and forgotten corners reveal something sacred to me. There is an unexpected grace in the broken, a divine presence in what most would overlook or discard. Maybe that is something that we can all relate to?

Adam Stab is a self taught East Baltimore based Graffiti artist and muralist whose studio practice includes collage, painting, graphic design, illustration and mixed media assemblage.   Heavily influenced by outsider art (skateboarding, tattoo, graffiti, comics) his work tends to focus on the usage of repurposed and non-traditional mediums. Found objects, color palettes, patterns and textures collected and derived from his time traversing the city streets.  Stab came of age in Fells Point in the 90’s working in some of its most famous bars( Bertha’s and John Steven’s) and also worked on a team of decorative painters out of a warehouse on the corner of Eastern Ave. and Bond st.  The selections in this exhibit include both new work and a cross section of Stab’s work from the last ten years.

 

 

In the Wake Of: Resilience and Revolution | Panel Discussion
Thursday, October 2 :: 6:30-8pm
@ Gormley Gallery

In the Wake of: Resilience and Revolution, examines the intersection of social unrest and artistic expression. This exhibition features the work of Devin Allen, J.M. Giordano, and Paul Abowd whose work captures the raw emotion, tension, and solidarity that defined the 2015 Baltimore Uprising and explores their lasting impact on communities.

Curated by Joy Davis, In the Wake of offers an insightful reflection on the power of art to challenge, inspire, and transform in moments of societal upheaval.

Exhibiting Artists: Devin Allen, Joe Giordano, and Paul Abowd

On View: August 25th – October10th, 2025

 

 

New/Next Film Festival
Thursday, October 2 | Ongoing through October 5

The New/Next Film Festival, presented by Baltimore Public Media, was initially conceived as a reaction to the announcement that the Maryland Film Festival would not have a 2023 festival. New/Next drew roughly 3,000 attendees over three days during its inaugural festival (August 18-20, 2023).

The festival’s 2024 lineup featured diverse film work of international scope alongside new and repertory work from the Baltimore film scene. More than 250 filmmakers attended the festival, which featured a revival screening of “Babette’s Feast” hosted by the Baltimore band Beach House, the Baltimore premiere of Conner O’Malley’sRap World” and the world premiere of Alexi Wasser’sMessy.”

New/Next returns to The Charles Oct. 2-5, 2025, while activations are planned for independently run venues in the area including Baltimore Improv Group, Metro Gallery and others.

New/Next was co-founded by Sam Sessa and Eric Hatch, with Sessa serving as Producer and Hatch as Programmer. Other key members include Associate Producer Emma Hannaway and Tech Director Patrick Kieley.

 

 

12th Annual Baltimore International Black Film Festival
Thursday, October 2 | Ongoing through October 6

Founded in 2014, the Baltimore International Black Film Festival is produced by the not-for-profit 501(c)(3) tax exempt social /service organization: SOGAA, Inc. Our mission is to support unity in the community and foster education with the best in independent film-making while enhancing the diverse cultural landscape and economic vitality of Baltimore City. With its unique paring of films by African-American, the African Diaspora and members of the Same Gender Loving – Lesbian Gay Bisexual and Transgender (SGL-LGBT) communities, the Baltimore International Black Film Festival (BIBFF) serves a dual purpose of educating the community while providing a venue for independent films for, by and about African Americans, the African Diaspora and members the SGL-LGBT community locally, nationally and globally. The 1st Annual BIBFF was held at the historic Charles Theatre, the only theatre of its kind in Baltimore. The Charles Theatre with its 1150-seat, 23,000 square-foot movie house is located in one of Charles Street’s most historic buildings and is only minutes away for the Baltimore Harbor in addition to numerous restaurants, bars, museums and attractions. The BIBFF is truly a “Charm City” event blending entertainment and education in the greater Baltimore area through a uniquely diverse cinematic experience. The inaugural Baltimore International Black Film Festival was held December 3-5th 2014.

 

 

Écriture (Writing) with the Body,” plus Curator Laila Abdul-Hadi Jadallah and Solo Artist Elizabeth Coffey | Opening + First Friday
Friday, October 3 :: 6-8pm
@ IA&A Hilyer

On Friday, October (“First Friday”), from 6 to 8 p.m., Hillyer invites the public to see these three exhibitions: Écriture (Writing) with the Body: Contemporary Korean Women’s Art, curated by Trio & Beats | Dr. Jung-Sil Lee and Dr. Koh Dong-Yeon, Traces ( آثار ), curated by Laila Abdul-Hadi Jadallah, and Landed by solo artist Elizabeth Coffey. Take this opportunity to meet the artists in person and mingle with friends and colleagues. Hillyer’s “First Friday” openings coincide with Dupont Circle BID’s monthly Art Walk.

*You can enhance your experience by becoming a member. Among other perks, each month members are invited to an exclusive preview of the exhibitions, which includes an intimate setting to speak with the artists while enjoying champagne and special treats. Be among the first to meet our talented creators and connect with other fellow art enthusiasts before the doors open to the public at 6 p.m.”

 

 

Interior Architectures | Opening Reception
Friday, October 3 :: 7pm
@ Current Space

Current Space is proud to present Interior Architectures, an exhibition of works by Vinnie Hager and Emma Childs, curated by Teri Henderson.

Please join us for the Opening Reception on Friday, October 3rd from 7-10pm.

Exhibit Runs: September 26 – September 14, 2025
Opening Reception: Friday, October 3rd from 7-10pm
Closing Reception & Artist Talk: Sunday, November 2nd
Gallery Hours: Saturdays 1-5pm, by appointment, & anytime Current Space is open for an event

Emma Childs was born and raised in Baltimore, Maryland and received her BFA in Fine Arts from the Maryland Institute College of Art. She uses eloquent shapes and thoughtful pops of color to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, color, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Emma childs’s paintings are layered depictions of existence in the worlds we build around ourselves.

In this current body of work, Emma Childs has been developing a language of painting that allows her to explore the way we exist in the world we build around us. Childs’ work explores moments of chaos and mundanity, freedom and containment, isolation and contact. She is interested in the ability of a work to evoke an energetically emotional response from the viewer as well as creating objects that physically interact with their environment, to walk a line between creating something self-contained as well as reaching outward.

Vinnie Hager is a multidisciplinary artist from Baltimore, Maryland, whose work bridges both physical and digital mediums. He earned his Bachelor of Fine Arts in General Fine Arts from the Maryland Institute College of Art in 2021. Known for his bold visual language and intricate compositions, Hager’s practice spans drawing, design, and new technologies. He has collaborated with leading global brands, including TIME Magazine, Meta, Starbucks, and Tommy Hilfiger.

Teri Henderson is a curator, writer, and the Arts and Culture Editor for the Baltimore Beat, deeply committed to fostering community and creating critical dialogue around contemporary art. Her work is centered on showcasing talent, particularly within Black contemporary art and the medium of collage.

 

 

Back East | Opening Reception
Friday, October 3 :: 7pm
@ Current Space

Current Space is proud to present “Back East,” an exhibition of works by Erin Stellmon and Rahne Alexander, two Baltimore-based artists whose origin stories begin on the West Coast of the United States: Alexander in California and Stellmon in Oregon. “Back East” emerges from a series of conversations between the artists about their independent decisions to find home in Baltimore, breaking ties with myths deeply held by both family and nation about the promises of westward expansion.

Please join us for the Opening Reception on Friday, October 3rd from 7-10pm.

Exhibit Runs: September 26 – September 14, 2025
Opening Reception: Friday, October 3rd from 7-10pm
Closing Reception & Artist Talk: Sunday, November 2nd
Gallery Hours: Saturdays 1-5pm, by appointment, & anytime Current Space is open for an event

Rahne Alexander is an intermedia artist and writer from Baltimore, Maryland. She’s also a trans dame. Despite being born in Utah and raised in the Golden State of California, Rahne Alexander never bought the pioneer mythology of her Mormon upbringing. Her childish misgivings about the gave way to larger critique of everything from the Gold Rush to the Golden Plates. As she began to see the All-American mechanisms of patriarchy, colonialism and white supremacy failing her even as they promised the world (and beyond); and as she watched the promises of the American West fading, she felt the pull to go back east, and these works examine that “reverse commute” in hindsight.

Erin Stellmon is an artist and educator in Baltimore, MD by way of Las Vegas, NV; NY, NY and Portland, OR. The descendent of Oregon Trail pioneers who claimed land from the Kalapuya tribe in the Willamette Valley in 1845, she was raised to revere her trailblazing ancestors. When looking to leave for college in NYC, her grandma asked “Why would you go back east when we fought so hard to get here?” Stellmon’s defiance led to a lifelong investigation of what it means to forge her own path; to reckon with history and privilege in migration and colonization; and to pivot to a future “back east” in Baltimore.

She has exhibited at museums and cultural institutions nationally and internationally. Her mixed media collages, installations and paintings explore contemporary landscape through barriers, walls and temporary fences intended to question traditional notions of safety and home.

 

 

Culturally Curated : The Genius Vibes Edition
Friday, October 3 :: 7-10pm
@ The Lewis Museum

Culturally Curated : The Genius Vibes Edition

Join us at The Lewis Museum for an unforgettable evening experience of culture, creativity, community, and connection. Culturally Curated brings together the best of Maryland’s Black music, art, food, history, and CULTURE —all in one night.

🎶 Live Performances: Spence Start Trio & DJ No ID

🎤 Hosted by: Cool Ant

🎨 Live Art: Bryan Robinson

🍴 Food & Drinks: Local food trucks serving up sips & snacks

This isn’t just a night out—it’s a night curated for the culture, by the culture.

Event Details:

📅 Friday, October 3

⏰ 7:00 PM – 10:00 PM

📍 The Lewis, 830 E. Pratt Street

🎟️ $40 General | $30 Members

Reserve your spot today!

Note for Members: Once you log in the option to pay the member price will appear.

 

 

Nights on the Fringe
Friday, October 3 – Saturday, October 4
@ The Peale

Charm City Fringe’s variety show is back for just two nights this October

Join us October 3 and 4 at The Peale in beautiful downtown Baltimore for an evening of live music, dance, powerful vocals, captivating puppetry​ and more. Enjoy light fare, drinks, and the ​vibrant, creative energy only Charm City Fringe knows how to curate for an unforgettable evening of performance.

 

 

BJC Focus: Making Spaces
Saturday, October 4 – Sunday, October 5
@ Baltimore Jewelery Center

The BJC Focus symposium is a free annual event that features workshops, demonstrations and presentations all centered around a particular theme. Our featured speakers are artists and intellectuals who are well-studied and acquainted with the chosen topic for the year. The symposium, while developed with jewelry and metalsmithing students and enthusiasts in mind, is free and open to the public, with something to offer everyone.

Our 2025 symposium, BJC Focus: Making Spaces, will investigate the role of third spaces as sites for connection, artistic expression, and creative growth. The term “third space” refers to places outside of homes (first spaces) and workplaces (second spaces) where people are brought together around shared interests and ideas.

In recent decades, third spaces have become increasingly rare, yet craft education spaces – like the Baltimore Jewelry Center- remain vibrant examples of third space ethos, fostering creativity and community.

Making Spaces will explore the importance of third spaces for creatives; how these ecosystems are formed and maintained, as well as the impact they have on the artistic practices of participants.

 

 

No Soy Ana Agnabi | Curator’s Tour
Sunday, October 5 :: 3-4pm
@ Silber Art Gallery, Goucher College

Goucher College proudly presents No Soy Ana Agnabi, a solo exhibition by Baltimore-based artist Jackie Milad, featuring new and recent works developed through the support of the Creative Capital Award and the Rubys Artist Grant. This exhibition centers on Milad’s reinterpretation of ancient funerary figures known as shabtis, examining their global dispersal, symbolic resonance, and the ways in which cultural heritage is fragmented and reframed through contemporary practice.

In No Soy Ana Agnabi, Milad expands her signature visual language—layered wall collages, sculptural interventions, and archival imagery—into a series of immersive installations that reclaim the shabti as both object and witness. Drawing from ancient Egyptian funerary practices and working in dialogue with Goucher College’s own collection of shabtis, Milad juxtaposes historical artifacts with hand-crafted surrogates made from bronze, epoxy resin, ceramic, and wood. These figures become agents in a larger narrative about diaspora, colonial extraction, and the emotional toll of cultural displacement.

The exhibition’s centerpiece is a series of altars densely populated with shabti forms, their collective presence evoking both an imagined afterlife and the haunting reality of scattered histories. Monumental collages—some extending up to 11 feet—surround the installation, incorporating fragments of language, textiles, and drawing that evoke a palimpsest of place and identity.

This project marks a major evolution in Milad’s career, reflecting a deepening of her engagement with themes of cultural hybridity, stewardship, and the politics of collecting. Accompanying the exhibition is a bilingual publication (English and Arabic) featuring new essays by leading scholars in Egyptology and cultural history.

No Soy Ana Agnabi  is not merely a meditation on the past—it is a vivid call to reimagine how we carry, question, and reclaim cultural memory in the present.

 

 

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Residency Application
deadline October 2
posted by Studio Museum in Harlem

The Studio Museum in Harlem offers an eleven-month studio residency for three emerging artists working in any media. The program is designed to serve emerging artists of African and/or Afro-Latinx descent working locally, nationally, or internationally.

 

 

Photo courtesy of Sitka Center for Art and Ecology

Curator in Residence (CIR) Program
deadline October 11
posted by Oregon Contemporary

Oregon Contemporary is pleased to announce an expansion of its Curator in Residence (CIR) program through a new partnership with the Sitka Center for Art and Ecology. Since its founding in 2011, the CIR program has been a vital catalyst for curatorial innovation, supporting mid-career voices in the field in developing ambitious projects that culminate in major exhibitions at Oregon Contemporary. With the addition of Sitka’s residency component, curators will engage in dedicated research, writing, and reflection within an unparalleled interdisciplinary setting in Otis, OR. This immersive period will allow curators to develop deeper connections to place while expanding the intellectual scope of their projects.

The enhanced initiative underscores Oregon Contemporary’s commitment to supporting bold, experimental curatorial work. Together, this partnership increases artistic and community engagement statewide and ensures that the program continues to serve as a nationally recognized model for advancing contemporary curatorial practice and elevating Oregon’s role within the global arts community.

Past Curators in Residence have included homeschool, Lucy Cotter, Justin Hoover, Suzy Halajian, Julia Greenway, Michele Fiedler, Chiara Giovando, Rachel Adams, Summer Guthery, Josephine Zarkovich, and Jenene Nagy. Collectively, they have shaped the CIR program into an essential platform that connects Oregon’s arts community to broader contemporary discourse while fostering risk-taking exhibitions that resonate locally and beyond.

For the 2025-26 Season Sitka Center for Art and Ecology is hosting curators Lucy Cotter and T.K. Smith in partnership with Oregon Contemporary.

 

The William Flanagan Memorial Creative Persons Center (The Barn)
deadline October 13
posted by The Albee Foundation

Founded in 1967 by Edward Albee, after proceeds from his play Who’s Afraid of Virginia Woolf? proved abundant, the Edward F. Albee Foundation has maintained the William Flanagan Memorial Creative Persons Center (better known as “The Barn”) in Montauk, on Long Island in New York, for almost 60 years, which exists to serve writers and visual artists from all walks of life, by providing time and space in which to work without disturbance.

Using only talent and need as the criteria for selection, the Foundation invites any and all artists to apply.

Located approximately two miles from the center of Montauk and the Atlantic Ocean, “The Barn” rests in a secluded knoll which offers privacy and a peaceful atmosphere. The Foundation expects all those accepted for residence to work seriously and to conduct themselves in such a manner as to aid fellow residents in their endeavors.

 

 

Fellowships at The Clark Institute
deadline October 15

Fellowships are awarded every year to established and promising scholars with the aim of fostering a critical commitment to inquiry in the theory, history, and interpretation of art and visual culture. As part of our commitment to cultivating diverse engagements with the visual arts, RAP seeks to elevate constituencies, subjects, and methods that have historically been underrepresented in the discipline. Furthermore, we are particularly committed to supporting scholarship that reveals the systemic inequalities of art history as a discipline and challenges us to address these inequalities as we move forward differently. All fellowships are intended to nurture a variety of disciplinary approaches and support new voices in art history.

 

 

Artist Residencies
deadline October 15
posted by Morgan Conservatory

The Morgan’s Artist in Residence (AiR) Program is funded by the Windgate Foundation to offer emerging and established artists from around the world who work with papermaking, book arts, and printing to explore focused projects in our facilities. As a working studio, gallery, gathering place for the community, educational hub, and purveyor of some of the finest handmade papers in the world, the Morgan offers AiR a variety of ways to grow their practice and build strong connections with the community.

Artists accepted into the program will receive a stipend, 24-hour access to Morgan facilities, and more!

Although the Morgan Conservatory Artist in Residence Program does not offer housing, we can provide a list of trusted housing sources, including Airbnbs run by Morgan community members. For traveling artists, we provide a $500 stipend to cover travel costs.

Beginning in 2024, the Morgan is pleased to partner with ATNSC, which can offer housing for BIPOC Morgan Artists in Residence. Housing availability is dependent on schedule. We are grateful to ATNSC for their inspiring vision and generosity, and the ability to join in creating environments of artistic growth, hospitality, and care during a place-based experience in our Cleveland community.

Applying artists can propose residency periods taking place anytime throughout the year, anywhere from a few weeks to a few months, depending upon the proposed project scope. Typically, residencies range from 2 weeks to 1 month. Before applying, please review our facilities better to structure your proposal.​​

 

 

2026 Summer Program: June 6–August 8, 2026
deadline October 17
posted by Skowhegan School of Painting and Sculpture

During the nine-week program, artists working across all disciplines have the opportunity to live as a community of peers on Skowhegan’s 350-acre campus in rural Maine. Participants dedicate time to their studio practices while engaging in a collective learning process through a variety of skill-sharing and theoretical workshops, group and individual studio visits, performances, lectures, and reading groups.

Based on a transversal open structure, Skowhegan creates a space where participants collaboratively design the program’s contents alongside an international and distinguished group of residents and visiting artists who serve as faculty. In a continuously work-in-progress environment, which prioritizes process and exchange, each individual’s practice contributes to the collective experience, discussing what “making” means to artists.

 

 

Shaker brooms and brushes at Hancock Shaker Village, Pittsfield, MA; Photo courtesy of Cate O'Connell-Richards

Craft Research Fund Grant
deadline October 17
posted by Center for Craft

The Craft Research Fund is the Center for Craft’s first and longest-running grant program dedicated to supporting new and interdisciplinary research about craft in the United States. Since 2005, the program has supported 255 projects in 41 states, the District of Columbia, and Puerto Rico by distributing over $1,900,000.

In addition to receiving this prestigious award and funding, recipients of the Craft Research Fund will become members of the Center for Craft Alumni Network. This social platform is designed exclusively for current and previous grantees and offers valuable resources, networking opportunities, and ongoing support for craft research.

 

 

Window Exhibits
deadline October 20
posted by Crow’s Nest

We are looking for sculpture proposals to fill our bay window. The next Window installation is scheduled for December 2025!

If selected, we may contact you to offer a date into 2026. Our gallery is located on 116 W Mulberry Street. This one of the busiest streets in Baltimore– experiencing high car and pedestrian traffic, and the show will attain high visibility even when Crow’s Nest is closed.

We are looking for 3D or installation work that can bring our mission to life: focusing on themes of environmental justice and/or the climate crisis.

 

 

Gutierrez Memorial Fund’s Legacy Grant
deadline October 30

The Gutierrez Memorial Fund is pleased to present its 2025 Legacy Grant. The project-based arts grant calls for proposals from arts organizations, individual artists, and educators who are residents of Maryland and whose programs or projects serve Maryland communities. Special consideration is given to projects that build skills, engage community, and transform the built environment. For more information on eligibility and to download an application please visit https://gutierrezmemorialfund.com/grant-info/.

 

 

header image: installation view of Jackie Milad's "No Soy Ana Agnabi" at Goucher College's Silber Gallery

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