Reading

Oh Mama, Cass!

Previous Story
Article Image

Local Original Affordable: A Holiday Shopping Gui [...]

Next Story
Article Image

An Interview with MAP Imprint Artist Nathan Danil [...]

A Review of Cass McComb’s “Big Wheel and Others” by Betty Davis

Twenty two tracks creates 85 minutes of music, a veritable everlasting gobstopper of an album.  And if you’ll indulge me in metaphor… Cass McComb’s newest album plays that way too. It gets off to a good start but pretty soon you’re feeling a little tired and wondering if it’s going anywhere. At some point you might even be ready to risk your precious enamel to chew through it.  Or, maybe you lose the flavor half way through and wonder whether or not to continue.
The title tune and first musical track, “Big Wheel,” kicks things off with a nice rambling shuffle.  But the groove is lost somewhere around track 10, a nine minute long head scratcher entitled “Everything Has To Be Just-So.”  And there are 12 more tracks to go… “Big Wheel and Others” feels like an awfully long ride.
If you decide to get off the bus a this point you’d miss some professional work and solid playing.  Cass and company are tight in their sessions and set a mellow, thoughtful mood.  The surprising instrumental “It Means A Lot To Know You Care, “Brighter!” (with and without Karen Black), and “Honesty Is My Only Excuse” are a couple personal faves.  On these tracks, the ensemble achieves a balanced combination of clarity and fuzz, pep and pensiveness.
But the length of the album puzzles me.  As does the addition of the interview snippets with Sean, a young boy, which punctuate the album.  The long track list is overwhelming and makes it easy for songs and ideas to become lost and the interviews don’t contribute to the cause. They interrupt any continuity that might draw the composition together more.

“Big Wheel and Others” is a big listen with a lot to say… if you can hang in for the entire ride.

If you want to experience Cass McCombs in person with local band Arbouretum, head to the Ottobar this Saturday, December 14. Tickets available at MissionTix.

* Author Betty Davis loves music. She does not believe that the world needs another cover of “the weight.”
Related Stories
Ikhide's "Tales From Future Past" is on View through November 22 at CPM

CPM Gallery recently announced that the run of Richard Ayodeji Ikhide's solo exhibition "Tales from Future Past" would be extended to November 22 by appointment. At the opening on September 27, the British-Nigerian artist was interviewed by luminary art historian, curator, and educator Lowery Sims.

The Definitive Design Textbook's Seventh Edition Diversifies the Canon

The idea of a master narrative and the Eurocentric bias of earlier editions of this text have been pressured, and forced to make room for multiplicity and inclusivity. The history of graphic design appears here fresher, livelier, and more relevant.

The best weekly art openings, events, and calls for entry happening in Baltimore and surrounding areas.

This Week: Soft Gym celebration at the new YNot Lot, screening of "Without Arrows" at The Walters, artist talk with Jaz Erenberg at Loyola University of Maryland, Baltimore Clayworks Winterfest, Rooted in Joy reception at Coppin's Cary Beth Cryor Art Gallery, Arts for Learning celebration, and more!

Protest, Identity, and Humor Converge at Pubic Wig Fashion Show

Merkin Dream III expanded on themes of women’s rights, sex work, body image, and dysphoria through bold design, movement, and performance.